Tag: characters

Character desires—Jan #MFRWauthor

Historical charactersAs a reader what attracts you most to a character?

I think all of us want to read books with a captivating story and memorable characters, books we can’t put down until the last page.

I’m not attracted to the he-man with hot eyes, growling voice and the body of Adonis, or the luscious blonde with an impossible hourglass figure because they aren’t real.

It doesn’t matter if our choice is historical, modern or futuristic, I believe our characters should have faults and flaws, just like us. We can relate to how she’s feeling when those scales notch up another 5 pounds, smirk a bit when he finds a few more grey hairs, mutter ‘don’t be so damned stupid’ when they stuff up and feel happy for them when they come through.

Downton Abbey, the incredibly popular British drama television series, is a perfect example of wonderful true-life characters. Whether they were the aristocracy, the poor relations or below stairs servants, they were not plastic stereotypes, they were believable. Just the same as not wanting a good book to end, we hated saying goodbye to them.

I loved the Poldark series, based on the novels of the same name by Tin mine in CornwallWinston Graham. Those characters, with their strengths and weaknesses, held millions of people captivated until the final scene.

I’m sure what attracts us to these characters is seeing a bit of ourselves in them.

What do you think?

Read the next blog in the blog hop by going here.

Jan

Perilous Love
The Proposition
The Woman Behind the Mirror
Lies of Gold—Silver Historical for 2019: Coffee Pot Book Club

Does the figure make the woman?—Jan Selbourne #MFRWauthor

Are my characters full figured or always slim? That is a good question because I try to avoid stereotypical characters such as a woman with an eye watering figure – because I don’t have an eye watering figure – or a Superman with rippling muscles. I want my characters to be like you and me, real and believable, warts and all. I realise now that my characters’ figures reflect their lives and trials and tribulations.

Perilous Love by Jan SelbourneIn my first book, Perilous Love, Gabrielle thought of herself as thin, shapeless and uninteresting. That shapeless figure would be her saviour when she and husband Adrian, whom she despised, were badly betrayed as world war one exploded over Europe. Adrian, the quintessential upper-class Englishman is very conscious of his masculine physique until injury renders him helpless. The only way they narrowly escaped capture was to disguise themselves as male peasants on the terrifying journey to safety.

In Lies of Gold, Julian has the hard, toned body of a soldier, trained in unarmed combat. Without those years of hard living, he could not have stopped the ruthless traitor peddling young people for gold. Katherine, the woman Julian loved and lost, is more worried about her children’s safety than her figure, until Julian comes back into her life.

War changes a man. For Harry Connelly in The Proposition, it’s down to a bullet on the Western Front or arrest and prison at home. Severely injured, he falls beside the body of a dead soldier with the same build, same colouring—his one chance of a new life. What the hell—he swaps identity discs. Now Andrew Conroy, repatriated home with a limp and a small pension, he’s more worried about being caught than his physique. When he meets Lacey Haines, he sees a beautiful woman. Lacey has been a nurse on the European front and she needed strength and stamina more than she needed a reed-thin figure. Does it matter to Andrew? Not likely.

In The Woman Behind the Mirror, Sarah Forsythe’s lovely face and The woman Behind the Mirror by Jan Selbournehourglass figure are her assets, and she’s very aware of that when eloping to the American colonies. When everything she trusts deserts her, Sarah must sell those assets to survive – and in that mirror, every day, she sees a loathsome harlot in a gambling club. It’s not until Neil McAllister, who by the way has a damn good body, investigates her for possible bank fraud, that she has the courage to see herself as she once was.

It never ceases to amaze me that every book has a different story to tell with characters that draw us in and, in a lot of cases, characters we can relate to. That’s the beauty of it.

What do you think?

Read the next blog in the blog hop by going here.

Jan

The Woman Behind the Mirror
The Proposition
Lies of Gold—Silver Historical for 2019: Coffee Pot Book Club

Creating a character #MFRWauthor

Create a characterI used to think that creating a character for a book would be easy. After all, we all know a bunch of people. Just make a character like one of them. But the people we know are already true, full people (though I have to admit, I know a lot of people who could use a little more work). To take a concept, a thought of a person you want to play a part in your story involves developing every single facet of personality, appearance, habits, quirks. It can be daunting! Consider the difference between buying a house that needs to have the walls painted to starting from ground zero and building the whole house from scratch.

I use a couple of techniques to create characters. First, I generally think about the character for a while. It can be any length of time, from a week to a year. By the time I start, I have a good idea of who the character is going to be. Then I use a character sheet I found in a plotting book a long time ago. It helps me see the character as more than two dimensional. The character sheet forces me to think about physical characteristics like hair and eye color, tattoos, piercings, and such. I also fill in things like hometown, siblings, general background material, internal and external goals, what they want, and what they never want to do.

I love the character sheet! But I have found that even the sheet can Charactersbe a little short of what it takes to make a character real. Kayelle Allen provides character interviews for authors who post on the Romance Lives Forever blog and I love them. Interviewing the character and really thinking about the answers make the hero or heroine come to life as a person. Such a great help!

What do you do to make your characters real? And as a reader, what do you notice most about characters?

Read the next blog in the blog hop by going here.

Dee
Burning Bridges by Anne Krist: old letters put the lie to Sara’s life. Now, mending her past mistakes while crossing burning bridges will be the hardest thing she’s ever done.

One Woman Only
Only a Good Man Will Do
Naval Maneuvers

To clone or not to clone…? #MFRWauthor

A friend as characterBy cloning here, I mean using traits of friends or family as part of your characters’ personalities. It’s a touchy thing, for sure!

I wrote a blog post years ago about five of us friends working at a company in New Jersey. I felt so close to these women—they were work sisters. One of the group died of cancer at a very young age and I wrote about how I’d first met them (they were already a working team when I joined). My first impressions were of “a blonde,” a “woman with big hair and pictures painted on her nails,” and “an aloof woman who I thought hated me.” That was exactly how I pictured them when we first met. I didn’t know them. I didn’t yet know how smart, caring, beautiful they all were, inside and out. That wasn’t the point of the blog post, either, but when they read it and responded, I had to see the post from their perspective. One woman wrote and asked was her hair really that big? Another asked “So I guess I’m the aloof one?” I felt terrible!

Now granted, a blog post isn’t the same as using friends as a basis for a book character, but the result can be the same. I have a friend whose friends asked her to make them characters in one of her books. She used different Angry friend names but some physical and personality features as secondary characters, and two out of three were angry over how she’d portrayed them. They didn’t like the parts in the book she assigned them, didn’t like how she portrayed their personalities, didn’t like… Well, you get the picture.

Another friend told me that she based a cheater and womanizer on a former boyfriend and that he would recognize himself immediately. I advised her against going that route! No need making enemies on purpose when life throws enough roadblocks our way to begin with.

In Passionate Destiny, I broke that rule. I used a former boss as the basis for Margaret. If he read the book (which I’m certain he did not), he would have recognized himself in a skinny minute. The difference is, he would have laughed! He was the nicest man in the world, but he did have a snobbish side and he wasn’t afraid to show it. That’s what I drew on for Margaret as she moved from a professorship at a New Jersey college to rural Virginia, where people have to pump their own gas and folks chat at the grocery check-out counter. So maybe the trick in having characters resemble friends or family is to be sure they have the temperament to laugh at themselves.

Creating charactersWe all view people around us—their looks, their quirks, their actions—as fodder for rich characterization for our books. We can’t help it! But when it comes to those closest to us, maybe have a talk about what you have planned before writing.

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!