History, mystery, love, intrigue: Jan Selbourne!

This month my friend and partner in crime shares a view into her real world in Oz and her writing world in the mists of history. Welcome to Nomad Authors, Jan!

NA: How did you come up with the idea for your book, The Proposition?
JS: In 2015 I visited the WW1 battlefields in Belgium and France where The Propositionmillions of young men perished in that awful war. Thousands of those war graves bear the inscription Known Only to God. That made me wonder if it was possible for a soldier to swap identity discs with another whose body was unrecognizable. London’s Imperial War Museum and the Australian War Memorial told me it was indeed possible although very risky. If caught, the soldier could face the death penalty. That was enough for me to begin The Proposition.

NA: What sort of research did you do to write The Proposition?
JS: First, emails to London’s Imperial War Museum and the Australian War Memorial. I researched the huge Battle of Amiens which helped turn the tide of the war. I researched the military demobilizing process, post war London and the value of money at that time. I walked London’s streets, visited the pubs and inns and train stations featured in the book to ensure the background was as authentic as possible.

NA: What is the main thing you want readers to take away from The Proposition?
JS: I want readers to feel they are there with the characters.

NA: Do you have a day job? What was your job before you started writing full time?
JS: I’m retired now. My working years were in the dry world of accounting.

NA: What started you on the path to writing?
JS: I’ve always had the urge to write but career and family came first until a change of direction in life five years ago. I had stories to tell and the time to tell them.

NA: What do your friends and family think about your being a writer?
JS: I think most of them were very surprised I actually published a book!

NA: Do you outline books ahead of time or are you more of a by-the-seat-of-your-pants writer?
JS: My books start with an idea and I am a seat-of-my-pants writer.

NA: What has been one of your most rewarding experiences as an author?
JS: Definitely the lovely, positive reviews, they make it all worthwhile. And, I must say the biggest thrill I had was holding a copy of my first book, Behind the Clouds, [that became] Perilous Love.Perilous Love

NA: Do you have quirky writing habits?
JS: Not that I know of. Perhaps what I think is normal might be very quirky to others!

NA: Which kind of scenes are the hardest for you to write? Action, dialogue, sex?
JS: Sex scenes are the hardest.

Jan Selbourne books

NA: What do you like to do when you’re not writing?
JS: Travel, if I can afford it.

NA: What are your top three favorite books of all time?
JS: Heck, I have dozens of favorite books but three that come to mind now are: Sara Dane by Catherine Gaskin, The Wind in the Willows by Kenneth Grahame, the biography of Sir Edward (Weary) Dunlop.

Perilous Love

NA: A pet peeve.
JS: Someone sniffling.

NA: Why did you choose the shirt you have on?
JS: It was at the top of the pile this morning.

NA: First thought when the alarm goes off in the in the morning?
JS: I’ll lie here for one more minute.

NA: What errand/chore do you despise the most?
JS: Ironing, although I avoid that like the plague. Coming home from shopping and realizing I must go back because I’d forgotten the main item.

NA: What famous person would you like to have dinner with?
JS: Sir David Attenborough.

NA: What are you working on now?
JS: This interview. Oh, other than that I am working on a story set in Boston and England during the late 18th century.

Lies of Gold

Thank you for this interview, I thoroughly enjoyed it.
Jan

Author bio:

Jan Selbourne was born and educated in Melbourne, Australia and her love of literature and history began as soon as she learned to read and hold a pen. After graduating from a Melbourne Business College her career began in the dusty world of ledgers and accounting, working in Victoria, Queensland and the United Kingdom. On the point of retiring, she changed course to work as secretary of a large NSW historical society. Now retired Jan is enjoying her love of travelling and literature. She has two children, a stray live in cat and lives near Maitland, New South Wales

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Buy links:

The Proposition
Perilous Love
Lies of Gold

Break out the champagne! #MFRWauthor

For me, typing The End (literally or figuratively) has always been reason to celebrate. I love my characters, I love my plots, I love writing a book that I’m happy Celebrating The Endwith. But the thing I love the most? Getting to the end! By the time I’ve told their stories, my characters go away. I’ve never been interested in carrying on their stories into other books. A reviewer once asked me to write a sequel to my paranormal erotic romance Passionate Destiny, and while I’ve considered it, I haven’t made a move on it (yet).

Sometimes, “the end” can be something sad or distasteful. The conclusion of a relationship, for instance. Or the end of the circus parade, if you’re a Elephantscleanup person Often, “the end” means the unknown, which can be pretty scary. Is that light at the end of the tunnel something good, or the The end of the tunnel or a train?headlight of a train heading right for you? You might not know until it’s too late!

But the end of a book? It represents the completion of a creative process, the culmination of a lot of work and maybe a few tears. It’s something to be proud of—something not all that many people can do! Typing The End should be a celebration. It should be a chance to sit back and enjoy the moment for all that it means: the good, the triumphant, the zenith of writing a book.

Or maybe, as with a sequel to Passionate Destiny, it could mean something else. *sigh*The dreaded sequel

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

Bad Reviews #MFRWauthor

I’m reminded of Shakespeare’s line in Henry VI, “…let’s kill all the lawyers!” except in my mind it’s “…let’s kill all the reviewers!” (Just kidding!) The line in the play is a mockery of what would happen if those who are meant to represent the accused are done away with. Chaos would result, along with the justice system. The writing world without reviewers would also suffer, though perhaps not collapse.

Reviewers present one person’s snapshot of a book, one person’s truth as he or she sees it, at the time they read the book, and so is not the end all, be all for the book or the author. Authors shouldn’t take it as such, either. So here are a few things to remember after you thrown a pillow against the wall (throw only soft, non-breakable stuff!) and cry into said pillow after you retrieve it.

  • Reviewers point out things wrong with our books that we can fix in our next book. Characters not cleanly drawn? Descriptions lack depth? Not enough (too much) emotion? Do better next time. Reviewers give us a chance to improve.
  • Reviewers aren’t God. They can make mistakes. They can be wrong. They can be totally off their rockers and… Well, let’s leave it there. Read what a reviewer says, evaluate it objectively to see if you feel they’re right, and then move on. Rehashing a criticism does no good.
  • Reviewers provide as much joy saying nice things as they do saying negative things. When I reviewed (yes, I’ve spent my time on the Dark Side), I always tried to say something nice even when I wasn’t particularly fond of a book. I also tried to phrase the good comments in a way the author could use it in a snippet for their website.
  • Reviewers are people, too. They appreciate being thanked for their work, even if you don’t feel like thanking them. Maybe they were having a bad day when they reviewed your book. A polite word might make all the difference the next one of your books they decide to read. Like chicken soup, it can’t hurt.
  • Reviewers are one way to publicize your book, so take everything good from a review that you can and (as my brilliant author friend, Jan Selbourne, says) flog it for all it’s worth!

Reviewers are good for the writing industry. If we are blessed with good reviews, thank goodness! If we are cursed with bad reviews, get the angst out of your system and keep on writing, taking any useful advice from the review that you can. Good luck!

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

For a Killer Author, Zia Westfield!

Nomad Authors is happy to host an interview of Zia Westfield. She’s a very interesting writer! You might even say she’s a killer of an author!

Zia Westfield's Killer series

NA: How did you come up with the idea for your book?
ZW: I love gothic romances. There’s something about the atmosphere that grips you from the start. I also had in my head the movie, Gaslight. That was the inkling that got me started on Killer Lies, but I really didn’t know where I was going until I reached the end. 🙂

NA: What sort of research did you do to write this book?
ZW: I set my story in western New York State, near the Pennsylvania border. I had fun researching what kind of smuggling took place during Prohibition. I also spent time learning about reptiles in the area.

NA: What is the main thing you want readers to take away from your book?
ZW: I hope readers walk away feeling fulfilled and feeling that Kelsey and Sam deserved the happiness that they found with each other.

NA: Do you have a day job? What was your job before you started writing full time? What started you on the path to writing?
ZW: I have always been a voracious reader. I went through so many books growing up. I could never get enough. When I first came to Japan, it wasn’t easy to find English books and they cost a lot. Now with Amazon Japan and Kindle, books are only a click away. When my children were born, I was a stay-at-home mom. I itched to do something beyond childrearing and reading. I had all these voices in my head, demanding that I put their stories on paper. I started writing late at night, after my sons were in bed. It took a while, but I was never more proud than when I finished my first manuscript. I now teach fulltime. It can be tough sticking to a writing schedule after a long day at work. But those voices in my head won’t go away and so I make the time to write because it’s who I am.

NA: What do your friends and family think about your being a writer?
ZW: My family is generally proud of me, though no one has read anything I’ve written. LOL! My sons pat me on the back and tell me, “Good job.”

NA: The biggest surprise you had after becoming a writer
ZW: I’m shy about sharing my writing with others. I teach and I present at conferences. I’ve given speeches in my city with the local mayor in attendance. I am not shy as a person. But when it comes to my writing and promoting myself, I become a turtle. I’m really working on being more confident about my books.

NA: Do you outline books ahead of time or are you more of a by-the-seat-of-your-pants writer?
ZW: I really really want to outline my books. I feel like I could be more productive as a writer if I had a plan. The reality is that I often have a beginning in mind. If I’m lucky, I can manage to outline a general plan. But, when I sit down, I often veer off from that plan and end up writing by the seat of my pants. When that happens, it takes me time to figure out where I’m going next and making sure that all loose ends are appropriately tied. Maybe one day I’ll figure out the magic formula to plotting.

NA: What has been one of your most rewarding experiences as an author?
ZW: I recently learned that my first book Killer Secrets placed in the Oklahoma RWA International Digital Awards contest for 2018. That other writers judged my novel to be worthy of such an award, really brought it home for me—I’m a writer and my stories entertain people. [NA: YAY!! Congratulations!]

NA: Which kind of scenes are the hardest for you to write? Action, dialogue, sex?
ZW: Love scenes are the hardest for me to write. Some action and dialogue scenes will just flow from my fingertips. But writing love scenes that do not come off as clinical or mechanical is challenging! It’s important in a love scene that the connection between the characters jumps off the page. The reader has to believe that this is the right moment for these two characters to come together. If the chemistry is there, I know the scene will be the sensuous read I intend it to be.

NA: Why did you choose the shirt you have on?
ZW: It’s comfortable! I am all about comfort. I wear flat-heeled shoes for the most part. I dress business casual for work. I like to move with ease and I like clothes that breathe. I also like bright colors. The shirt I have on is a lovely fuchsia color that lifts my spirits.

NA: First thought when the alarm goes off in the in the morning?
ZW: Hmmm…I’m not sure about the first alarm. I’m lucky if I hear it. I set about 5 alarms on my phone, which drives my husband crazy. I am not a morning person. And until you get one cup of black coffee in me—preferably Peets French Roast—I am not even human. 😉

NA: What errand/chore do you despise the most?
ZW: I don’t have a clothes dryer or a dishwasher. I’ll let you all guess what chores I despise! LOL!

NA: What are you working on now?
ZW: I am working on a novella that I hope to offer for free to people who sign up to my newsletter. It’s tentatively called Killer Date, but that might not remain the title. It features Melissa Carmichael, the sister of Sam Carmichael, the hero in Killer Lies. I’ve paired Melissa with Harry Fontana, a PI with attitude. It has my trademark excitement, suspense and romance with a dash of humor.

In the meantime, keep an eye out for Killer Deceptions, which should be released in Spring 2019.

Killer Lies

Killer Lies
Zia Westfield
(Deadly Encounters Series, #2)
Publication date: December 21st 2018
Genres: Adult, Suspense

Kelsey Tremayne’s life unraveled in the summer of her 16th year when she and a friend were abducted. She came out of the experience alive, but without memories of her abduction and her friend was never found. Rumors that she’d killed her friend in jealousy, and that she was mentally unstable, started and eventually her parents moved her away from Carville. Now, she’s back in Carville to settle her aunt’s estate. However, someone is watching her, playing with her mind. Could it even escalate to murder?

One man is willing to stand by her, protect her, and breach the barriers that have guarded her heart for so long.

Sam Carmichael stays focused on the job and keeps his personal interactions limited. The emotional instability of his wife and her subsequent suicide have made him leery of getting deeply involved with anyone. Even so, someone is targeting Kelsey Tremayne and the roots go back twelve years to an abduction that was never solved. As Sam is drawn deeper into the case, he can’t help admiring Kelsey’s strength and compassion and he vows to do everything he can to find the truth and bring her kidnapper to justice.

Can two people hurt by their pasts survive a criminal’s web to find a future together?

Goodreads Amazon USA Amazon UK Amazon Australia

Killer Secrets

Killer Secrets
Zia Westfield
(Deadly Encounters Series, #1)
Publication date: February 5th 2017
Genres: Adult, Suspense, Romance

With bills to pay, an orphaned niece to raise and her job on the line, Gemma Fitzgibbons needs a front-page story in order to keep her job. A serial killer and a corrupt detective, whose father was accused of corruption, offer headline possibilities, but when she confronts Jack Donahue, the detective is nothing like she expected.

Jack considers reporters to be bottom-feeders, and deep into the investigation of a series of murders in which the victim is posed with a wedding veil, he doesn’t have the time or inclination to delve into the scandal that ruined his father’s career. But Gemma won’t take no for an answer. Neither will she stop investigating the Wedding Veil Killer. When she attracts the attention of the killer, Jack is assigned to keep her safe. But Gemma isn’t about to hide away. She intends to use the leads she’s developed to help him track down the person responsible for the gruesome murders.

Torn between his dislike of reporters and his admiration for the smart, sexy, reporter he’s drawn deeper into the scandal in his father’s past–a scandal that someone will kill to keep hidden. But, when Gemma uncovers secrets about the scandal, and her life is threatened, Jack is determined to protect her. It’s also time to make a choice—leave the past buried or fight for the future.

Goodreads Amazon USA Amazon UK Amazon Australia

Zia WestfieldAuthor Bio
Zia Westfield creates suspenseful, exciting stories with romance at the heart of them. There is nothing more thrilling than watching two people fall in love despite the odds and the danger surrounding their every move.

She makes her home in Tokyo with her husband and three sons. She holds a full-time job, volunteers too much because she doesn’t know how to say “no,” and generally finds peace between the pages of a book or when she’s writing out the stories in her head.

Website (you can sign up for my newsletter here)
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Excerpt from Killer Lies:

CHAPTER 1:
Sam Carmichael switched his high beams on and eased off the pedal as he drove the narrow mountain road. Fat raindrops splattered the windshield of the SUV in a steady torrent that even the windshield wipers working double time couldn’t keep up with.

The Tremayne mansion drive should be another half a mile up the road. He’d be glad to get there. The mountainside wasn’t known for landslides, but the amount of rain that had been coming down steadily had been causing a number of accidents throughout Carville. Best-case scenario, he’d see the crazy cat lady and get back into town before anything bad happened.

Thunder cracked overhead, followed by a flash of light that lit up the road, revealing towering trees on both sides. He also caught sight of the gate that signaled the Tremayne estate.

He made the turn and pulled up beside the box attached to the wall. He lowered his window, pushed the button and waited for a response.

He’d been out here years ago when he’d been riding patrol. A woman dressed in shawls and surrounded by dozens of cats, or so it had seemed, had answered the door. She’d insisted that he find the person who was trying to steal her cats.

Setting aside his private thoughts, he’d checked the house and the grounds, but had found no signs of anyone having been there.
He’d chalked it up to experience and had forgotten about it until tonight, when the desk Sergeant had roped him into coming to check out a report of a possible burglary before going home.

“Lucky me,” he said into the darkness.

“Excuse me?” The voice crackled across the intercom.

Sam leaned out, ignoring the rain that pelted him, and spoke loudly.

“Detective Sam Carmichael, Carville PD. I’m here about the burglary.” He pulled his head back in and waited for the gate to open. Instead, the intercom crackled to life once more.

“Would you show me your badge, Detective?”

Sam reminded himself that he had become a detective to serve the public, even on foul nights when man and beast knew better than to be outside. He fished his badge out of his pocket and thrust it out towards the camera. How the hell the person on the other side expected to see anything with the rain coming down like it was, he didn’t know.

The gate suddenly creaked and slowly began opening.

“You’re welcome,” Sam muttered.

While he waited for the opening to be large enough for him to drive through, he gave himself a stern talking to. Crazy cat lady or not, he would do his job and be professional. Some days were the pits and today ranked as one of them, but he wouldn’t let it interfere with his job.

He drove up the long drive, noting the overgrown lawn and the creepy vibe given off by the ivy crawling up every inch of the turreted mansion, the branches overhanging the drive, and the coldness that seemed to emanate from the dark exterior. Before he left tonight he would make a point to the person who called the stationhouse to add lights to dispel the gloom.

He pulled the SUV as close to the front porch as he could, but he was still soaked by the time he reached the top step.

He pushed the bell next to the door and prepared to meet the crazy cat lady.

The door opened, and Sam stared dumbfounded. The woman before him was dressed in shawls and a long dark grey skirt, and had one cat in her arms while another curled up on a straight back chair that butted up against the wall.

But she was years younger—younger than him, he’d guess—and punch-in-the-gut beautiful.

None of it made sense and he said the first words that popped into his mind.

“What happened to the other crazy cat lady?”
***
Kelsey Tremayne winced at the question. When she’d opened the door, she hadn’t been sure what to expect. The security system needed a major upgrade. She had barely been able to hear the detective identify himself, and the rain and poor camera quality had made it impossible to see his badge clearly.

Though she’d debated the risk in letting him approach, she had decided to chance it. She gripped the pepper spray she held in her hand which was concealed by the shawls. It hadn’t been easy to call the police given her history with them, in fact, her stomach still felt queasy over the decision, but she needed the incidents on record.

Crazy cat lady, indeed.

“Please come in, Detective.” She stepped back and petted Sabina, the white Persian mix that had sought comfort in her arms when the thunder had started.

The detective entered, dripping water on the wood floor, and surveyed her from head to foot. He was tall, over six feet, if she had to guess, with a rangy build, brown close-cropped hair, and a stubborn jaw.

Kelsey could imagine what he saw. A not-very-tall, not-very-short, brown-haired, brown-eyed female with more cats than friends. Okay, he wouldn’t be able to guess the last, but it wouldn’t take long for him to stumble onto the truth.

Then again maybe he already knew it. After all, he’d asked about the other cat lady.

Prologue: Worthwhile beginnings #MFRWauthor

I love prologues. Reading them sets the stage for me and gets my anticipation humming. And writing them is like adding backstory—which we all like to add Great opener!before it’s needed—without actually involving the main characters. It’s a win-win!

As I’ve mentioned before, when I first started writing several people told me one of the “rules” was that prologues were not popular and I would be better off not writing them. Most of the time I didn’t. But when I began adding prologues, readers told me their interest went up. So what’s the deal in encouraging writers not to use a technique that seems to work for readers?

For me, the trick is to write a prologue with action. It shouldn’t be more than a few pages, and usually not as long as a chapter. This isn’t the time to build a full character study. I like to tweak the reader (any reader, including…well you can see for yourself) with action tCute dog readinghat will have them asking, “What’s next?” Of course, both the character in the prologue—often the villain—and the action itself has to lead to the main character, but without actually having him/her appear. Build suspense. Leave character development to the book’s chapters.

That’s my take on prologues, anyway. What is yours? Do you like them, to read or write?

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

I/She, Me/You #MFRWauthor

Point of view is all a matter of perspective. Are these his feet or my feet?Feet

TummyIs this her tummy, or my tummy. Okay. No contest. I vote for MY tummy.

When I first started writing, I was told never to write for an editor in first person. Why? No one seemed to know for sure. The most I could figure out is that editors seemed to think that two main characters couldn’t be fleshed out emotionally if we only “saw” into one of their heads. I was too nervous to speak up then, but now? I say bulltwackle.

I believe that once a writer moves beyond describing how a character feels happy (sad, greedy, shrewd), she/he can then learn how one character discerns happiness (sadness, greediness, shrewdness) in another.

HappySadGreed

We do it all the time in real life. Rarely does a person walk up and say, “Guess what! I’m happy!!” But looking at someone’s smile, hearing laughter, seeing how they bounce on their toes, noticing the glow in their eyes—it all tells us. First person can portray that same thing.

In an informal writing class that used writing prompts, several of us struggled. After a few minutes, the teacher suggested we write the same scene in first person. It was so much easier! And more emotional, too. I was surprised. The exercise taught me that when a scene gives trouble, try writing it in first person and then switch it back to third. Just be sure to edit well! There’s nothing worse than lots of “she saids,” “he saids,” and then an “I said” thrown in.

I read a lot of books now written in first person so editors must not hate it so much anymore, huh? 😉 That’s a good thing because it means that we can choose which POV style suits us best. Choice is always a good thing.

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

Top five things I’m grateful for #MFRWauthor

Best gift under the treeEspecially in this season, there is much to be grateful for. There is so much, in fact, how does one limit it to a few? Don’t know… But I’m going to try.

  1. The people in my life. I know it sounds trite but I’m so very grateful for the people in my life, especially my mom and husband, but right on their heels are my in-laws (I was blessed with the best!), my aunt, and my closest friends. It seems that when I needed someone, there was always someone there. I only hope I return the favor so someone somewhere says they’re grateful for me, too.
  2. Health. I had polio as a baby but fortunately, that’s the worst health issue I’ve ever had. I’m kind of grateful even for that, though because it helped shape me (for the better, I hope) and gave me adversity to overcome.
  3. Travel. With our eight years of trucking, hubby and I saw a whole hell of a lot of the U.S. and western Canada. Travel expands the mind (and the waistline, sadly). We met so many wonderful people in those eight years US Mapand I learned things I’ve never forgotten. It planted my feet firmly on the ground and centered me. Plus, it gave me a perspective on everything in life since. As hubby says, once you’ve started to jackknife coming down Donner Pass in a blizzard, the meaning of “stress” changes forever more.
  4. Moving around. As a consultant in a specialized arena, hubby moved us quite a bit. The effect was like traveling, above, except with an immersion component. We lived several different places in the U.S. and got to know those places and people really well. I loved it to the point of when hubby said he wanted to stay here, where we were planted after two years, I had withdrawal symptoms. 😉
  5. Life. I have learned to be happy. It’s not always a given, being happy. It’s something I decide every day to be and now I am blooming where I’ve been planted. I was born in the best time. I’ve had innumerable chances to Key to Happinessexperience things most people have not. I’ve been able to write. I’ve enjoyed both working and not working. I’ve been blessed, totally and sincerely. It’s such a wonderful feeling!

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

Family Survivalist Techniques #MFRWauthor

My family is pretty darn small—just hubby Jack here at home, my mom and aunt, and brother- and sister-in-law. That sums it up. So since I have only the one (very special and wonderful) family member at home to deal with my writing, his handling it is easy. He follows these techniques:

  • “Why aren’t you writing?”: Jack uses this guilting technique when he thinks I need to get my butt in gear and get work done. He uses it often because he wants to retire early and thinks I can help.Tedious Writer I
  • “Why are you writing?”: Jack uses this guilting technique when he would rather talk/watch TV/go to dinner and I am in the middle of a scene.
  • “I’m going to bed/to cut the grass/to watch Dr. Who if you want to write.”: Common hints by Jack that the green light is on if I want to dig out the Alphasmart for a couple of hours.

Brainstorming

  • “Let’s talk about your writing.”: Jack loves to brainstorm about writing projects—and I love to also. There is no knotty plot problem we can’t solve by hashing things out, usually over a meal out somewhere.
  • Crickets: The rest of the family’s reaction to my writing, no matter if I’m doing it or not.

So there you have it. Easy as pie to deal with anyone in the family when it comes to my writing.

Read the next blog in the blog hop by going here.

Dee
Only a Good Man Will Do: Seriously ambitious man seeks woman to encourage his goals, support his (hopeful) position as Headmaster of Westover Academy, and be purer than Caesar’s wife. Good luck with that!

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

In the beginning…there was Prologue #MFRWauthor

Is there anything better than starting a book and the romance/mystery/thrill/atmosphere is set up well? That can’t always Great opener!happen in the first chapter because you have to be concerned with character introduction and plot hints. But using a prologue, the author can spend all of his/her time engaging the reader with emotion in what follows. You know me—I’m all for engaging!

According to Quora, some great prologues can be found in these books (and in others, of course):

  • Harry Potter (Book 1)
  • Water for Elephants
  • The Piano Tuner
  • The Alchemist
  • Shutter Island

Kristen Lamb has some reasons for not using prologues.

  • If it’s nothing more than an information dump
  • If the sole purpose is to hook the reader (don’t do this! Too many people skip prologues.)
  • If the prologue is too long
  • If it has nothing to do with the story (Now, why would anyone do that??)

And more.

It would be interesting to compare the “good” prologues to the “bad” #amwritingexamples and see where the author might have gone wrong. As for me, I never skip prologues. I might not read the rest of the book if the prologue is terrible, but at least I’ll have a good reason for it.

Read the next blog in the blog hop by going here.

Dee

Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!

The End… Oh wait! There’s an Epilogue! #MFRWauthor

I’m one of those readers who enjoys an epilogue. I like it if a story ends satisfactorily, but I always like to find out what came “after.” Do the two The end or not?protagonists become engaged? Once they’re married are they happy? Do they have children? It seems that children or the announcement of a pregnancy are routinely in the epilogue of historical romances, and I like that little bit extra. It’s like biting into a chocolate—really good in itself—and finding a caramel filling that you didn’t expect. A step beyond satisfying and into the realm of happy.

Writer’s Digest gives six reasons why an epilogue is used effectively:

  • Tying up loose ends when the story itself ends abruptly.
  • To highlight the lessons told in the story and letting the reader know that justice has been done.
  • Detailing information not covered in the story, as in if a character is sick or circumstances are left unfinished.
  • Explaining a future for the characters.
  • Using a secondary character to explain circumstances and thus make the story more realistic.
  • Outlining futures for a large cast of characters.

I think all epilogues are used to answer the emotional questions a reader might have, though. And since I like romance, an emotional finish to a taleEpilogue is what I long to read. I have used them myself, and even enjoy reading them then. 😉

So, hooray for epilogues! Long may they live!

Dee
Naval Maneuvers: When a woman requires an earth-shattering crush of pleasure to carry her away, she can’t do better than to call on the US Navy. Sorry, Marines!